It’s gotten so that anytime people use the word “intrigue” you think of boring spy novels or something involving complicated plots. But it doesn’t have to be that way. Gone For Good is a great little page-turning novel where as each secret is exhumed and decisions made, the universe shifts into a new way of looking at things. Massive changes in the reader’s model of reality can easily be overdone, though. Coben doesn’t go too far.
Starting off sounding a lot like a crime novel, we begin with the death of a next-door neighbor that is pinned on our protagonist’s brother. The brother was never found, though, and our guy lives day-to-day wondering whether his brother is alive and knowing in his heart that he didn’t commit the crime. The plot gets moving with the death of a close relative that causes our hero to begin a search, and a mission, that can only end in a big old bucket of suspense and surprise.
I enjoyed this book a lot, especially after reading some splatterpunk horror. It’s nicely told, and the author doesn’t miss a beat. It would have been easy to make a book like this too complicated, or too busy, but Coben balances the story-telling just right. To me a sign of a good book is when you are reading a part and thinking “Why the heck am I reading this? Is it important?” only to later realize “Wow! That was really important!” Very cool when it’s done well. He also nails dialogue. There were a few times when characters made snarky remarks where I caught myself laughing out loud, which I rarely do. And several other times characters said things as I nodded, thinking, yep, that’s exactly what he’d say.
As I understand it, Coben usually writes in a serial format. You know, the same hero doing something a little different each time at bat. I don’t blame modern authors for doing this — it seems to be the only way to make a buck at writing. But I’m glad he took some time out to write Gone for Good; it’s a wonderful little book.